Lee admits he is there to steal. 0 There are no aria-like monologues, no slime oozing down the walls, no magical cornfield in the backyard: just a simple kitchen in a modest home outside of Los Angeles. True West was a finalist for the Pulitzer Prize for Drama in 1983. Austin is well manicured and proper, whereas Lee is a slovenly mess. Austin's suggestion that Saul Kimmer thinks that the two brothers are the same person is the most explicit reference to the fact that the two men represent opposite sides of a single creative artist. Austin rejects this proposition with a good deal of force, not wanting Lee prowling around the neighborhood and certainly not interested in letting Lee use his car to do so. 281 0 obj <>stream

The barrage of questioning obviously disrupts Austin's attempt to write, but Austin does not let on that is so. Now, Lee is at the typewriter pecking away with one finger while Austin lies on the floor, dead drunk. Austin says that all three of them sound the same when drunk. Lee laughs at Austin's "art," which is just a little research for a screenplay. The brothers squabble about who has visited the old man more. Austin has all the accoutrements of a writer: coffee, a cigarette burning in the ashtray, stacks of paper. As the first scene closes, Austin asks Lee if he wants to sleep, but Lee says he does not sleep.

Use up and down arrows to review and enter to select. The brothers' animosity is the fundamental relationship that exists in each act of creation. Their mother is in Alaska, and has left Austin in charge of the house. Austin tries to convince Lee not to prowl around the neighborhood but Lee has his mind made up. He is drinking beer and looks like he has slept in a ditch, with a filthy T-shirt, two days' growth of beard, and bad teeth. Austin manages to stand up and talks about the suburbia he is going to steal from as a sort of latter day nirvana—a speech Lee says resembles the way the old man used to talk. Here, we see Lee struggling at the typewriter, begging for even the smallest assistance from Austin. Additionally, Lee wants the use of Austin's car for the day to case the neighborhood. Lee dismisses this remark as the liquor talking and asks for quiet again, assuring Austin that if it were not for the racket, he could rattle off the whole screenplay in one night.

SparkNotes is brought to you by Barnes & Noble. Find monologues from plays for auditions, theater training and film. Lee is the failure: the thief, the drifter, the outcast. Lee is at first the mirror image of his father, a drunk without a home, a man without direction.

h�b```f``�c ֭����,3�_��(/tq�}�LV]��t��BP����:��"�>+5]Q=�W�x���|�k��,'^2�uuڭ���i��Qg�l�Jb[$Y��'MQ����Ci���A���ڀ���z������y=�f�^ ���$"�3� ��_� Lee laughs heartily at the idea and makes a bet that Austin could not even steal a toaster. Their mother lives in a nice community, one perfect for petty theft because of its big houses and decided lack of dogs. At the end of the story Austin declares that it is a story that is true to life. He is bent over a table writing in a tablet. A candle illuminates Austin sitting in the alcove adjoining his mother's kitchen.

Lee asks question after question about the current situation: whether Austin has any coffee, whether he is taking care of the houseplants, whether he usually writes by candlelight, whether the Forefathers wrote by candlelight. When Austin tries to leave, however, he only falls to the floor drunk. Visit BN.com to buy new and used textbooks, and check out our award-winning NOOK tablets and eReaders. Two people could hardly look less like brothers than Austin and Lee. He is dressed properly, in a cardigan, slacks, and white tennis shoes. Lee needs to concentrate, as he is the screenwriter now. Unlike most of Shepard's other plays, True West at first seems to be a straightforward narrative about brotherly conflict and screenwriting, lacking in absurdist elements. Lee offers to leave on the condition that Austin help him with the screenplay, which piques Austin's interest. Austin says he does not want to have anything to do with the old man. The moment of crisis is over. SparkNotes is brought to you by Barnes & Noble. Therefore, we have a Formica and houseplant-adorned kitchen containing two brothers who by the end of play will try to kill each other. Some critics consider it the third of a Family Trilogy which includes Curse of the Starving Class (1976) and Buried Child (1979). Lee discredits a settled life as a "sham." Lee joins Austin on the floor for a drink, and Austin tells the vivid story of how the old man went to Mexico to get all of his teeth pulled and ended up losing his false teeth in a doggy bag of Chop Suey. Lee asks for help on the screenplay again: just a little bit, he says, just the characters. h��V]o�0�+~���;�*$�A7i�P��IU2�A$HP�jݿ��M�P�B_&��������s�9aDhA8Sn��+#"S����'��p�#gh�5K���F`�D���$n#%#rzJ/��Ufsk�}�qL��m�O�Ui��x,0��tv� Z[�֭����Q]M2c���bH���>��n��#�;�7�ׄ�l�=fׄ�0A��f]������)-IRN���SLg֝�1zaZWOpE��|�a�gg��}/V �I��pѰD?�w�/���O�barc���j����w�/E�s��(��+�������E>ǩ��������b2(�sCͬY� Iw2�b�bi����G1;_���(���(eS���E���Y^)^$@�����w!BJ�=��P̸~2Xժ4����5�"fDJ���m.

All Austin wants in return, if he wins the bet, is a knick-knack from the days Lee spent in the desert. Learn exactly what happened in this chapter, scene, or section of True West and what it means.

Finally, Austin offers Lee money, at which point Lee lunges violently at Austin, grabbing his shirt, warning Austin never to say that to him again. endstream endobj 266 0 obj <> endobj 267 0 obj <> endobj 268 0 obj <>stream True West was first performed at the Magic Theatre in San Francisco, where Shepard was the resident playwright. He is the aimless hero of Western myth: an outlaw who lives by his own code of morality. True West is a play by American playwright Sam Shepard.. The struggle for creation is an extremely violent one, as demonstrated by the brothers' bickering and fighting. Others consider it part of a quintet which includes Fool for Love (1983) and A Lie of the Mind (1985).. Lee offers to call Austin's wife, but Austin says that he needs no one's help and that he is going to steal a toaster and commit crimes bigger than anything Lee ever did. Austin then asks Lee what he is doing here at their mother's house. True West 1 True West (1980) by Sam Shepard Characters AUSTIN: early thirties, light blue sports shirt, light tan cardigan sweater, clean blue jeans, white tennis shoes LEE: his older brother, early forties, filthy white t-shirt, tattered brown overcoat covered with dust, dark blue baggy suit pants from the Salvation Army, pink suede belt, pointed black forties Lee, annoyed with the jabbering and with his own his inability to concentrate, smashes the typewriter into the table. A summary of Part X (Section7) in Sam Shepard's True West. Austin denies the possibility of his brother disappearing, as it seems that the old man tried that once a long time ago. Austin insults Lee's story and his abilities as a screenwriter. %%EOF Austin reasons that since Lee is now the screenwriter, he himself should now become the thief. Looking at the play with this relationship in mind removes the story from its seemingly naturalistic limitations and transforms it into an archetypal examination of what it means to be an artist. Austin is the prodigal son: the husband, the writer, the success. True West guide sections Use up and down arrows to review and enter to select. Lee is Austin's older brother. %PDF-1.5 %���� Lee listens intently, unaware that the old man had any need for false teeth or that he had lost them. Being born into a family is everyone's curse, and getting out is often an ultimate—albeit impossible—goal. Tooth of Crime,Buried Child,Curse of the Starving Class, and A Lie of the Mind are all family dramas. The curse of the family runs deep throughout Shepard's work. If you would like to give a public performance of this monologue, please obtain authorization from the appropriate licensor. He says that money offerings may be enough to appease the old man, but would never be enough for Lee. True West begins with the sound of crickets. Monologue Blogger has the largest collection of great monologues for actors. Monologues are presented on StageAgent for educational purposes only. After a long pause, Lee says the crickets are incredibly monotonous.

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